Control-X
The origin story of something we all use without thinking. (And, low power mode ends Monday.)
Today is set to be the last day of Low Power Mode. That means “7 Other Things” and other cool stuff returns Monday.
For today however: A short essay on the inventor of something you’ve probably used a dozen times this week alone: “cut and paste.”
This reminds me—maybe in the comments, are there other unheralded inventions we all use for which you might know the origin story? Or other day-to-day conveniences about which you might have wondered: Who do you think came up with that?
Let us know in the comments; I enjoy chasing down these stories and I think they can be inspiring.
Control-V
Long ago, when I was a lawyer for a big government agency and I had to write briefs in scores or even hundreds of similar cases, I often relied on an old friend.
Copy and paste. Control-C and Control-V. (Maybe Command–C and Command-V if you're on a Mac, as I am now but wasn't then.)
Basically, I used big chunks of the same documents, the same arguments, the same filings—over and over and over. A few facts would be different; occasionally someone would raise a new issue. But otherwise, it was pretty much Groundhog Day.
My work friends and I shared our briefs with each other, too.
At times, it seemed the whole court system would be more efficient if we could just file one brief, and then refer various judges around the country to it, in case after case after case.
That wasn’t going to happen. Too many people’s livelihoods depended on the duplication. But, it turns out that there's a single individual who deserves my thanks for making my life a bit more manageable back then.
The man who invented it
His name: Larry Tessler. This is the guy who came up with the idea of "cut, copy, and paste" in word processing in the first place.
Tessler worked for Xerox PARC in the late 1970s, where two experiences stand out:
His aforementioned development of "cut, copy and paste," which came about while he was working on an early, 1970s word processing program called Gypsy. (More details on this from Andrew Liszewski at Gizmodo.)
His encounter with Steve Jobs, during the latter's now-legendary tour of the Xerox PARC labs in 1979. This is when Jobs supposedly first was introduced to things Xerox was working on, like (a) graphical interfaces and (b) the mouse, that wound up in Apple products a few years later.
Not long after that visit, Tessler left Xerox and headed to the much-smaller Apple. As Luke Dormehl of Cult of Mac recalled him saying years later:
“It’s funny because Apple was really the trigger for me wanting to leave Xerox, but I’d never seriously considered it as a career option.
Even though I had been pretty impressed by the people who attended the PARC demo, I still thought of them as primarily being a hobbyist computer company.”
Tessler was at Apple from 1980 to 1997, working mainly on two products that are now known more for being groundbreaking than for being successful themselves: the Newton and the Lisa.
Like they say, "pioneers get slaughtered; settlers prosper."
Typical Apple
Today, Dormehl holds up Tessler as having been typical among the fairly early recruits at Apple: equal parts tech visionary and bearded hippie.
He'd studied computer science at Stanford before working at Xerox. But in between, he'd also helped to found a commune in Oregon.
As you might gather from my use of the past tense in this newsletter, Tessler passed away a few years ago, at age 74.
We take things like “copy and paste” for granted. Heck, I've probably used it 10 times while writing today's newsletter.
But, back in 2014, I joined a digital media startup where we were dead-set on creating the world's best proprietary content management system—basically, the software that writers use in order to write and publish their articles.
Our lead developer did a fantastic job. But can you guess what turned out to be the second-most-difficult feature to build from scratch? Sure enough: Cut, copy and paste.
(Hardest: “Undo,” or “Control-Z,” because building this feature requires taking a virtual snapshot of every change in every document, every few milliseconds.)
Anyway, rest in peace Mr. Tessler.
If only we could copy you so easily.
Thanks for reading. Low power mode ends Monday! Photo by Jay Zhang on Unsplash. See you in the comments and have a great weekend!
Great story, Bill. You definitely earned your 20¢ today! 😉
A few months back, I was working with two members of my marketing team, a 40-something graphic artist and 30-something social media specialist. We were chatting about something nostalgic with graphics when I mentioned Exacto knife cutting and hot wax pasting. I was talking about my high school newspaper and its production from back in the 1960s, and laying out ads and graphics in the 1970s and early 1980s.
Neither knew the origin of the concept "copy and paste." An informal survey of other colleagues found none knew that "copy and paste" is a carry-over from physically copying and pasting.
To produce a "camera-ready" physical art board, the word copy was applied by using either Letraset (rub-on) or Zipatone (cut, adhere and burnish) individual letters or later, the Compugraphic (I believe that's the brand) typesetter. We also used an IBM proposational font electric typewriter with a carbon ribbon. The output was on a glossy paper or white film.
You would cut the paper as close to the font edge as possible, turn it upside down and roll a film of hot wax on the back ... or rubber cement, which was a lot more fun (but that's another story and lost amusement). Then using triagles and T-square, the content would be aligned onto the art board.
If there were a change, typo, or edit, you would take your Exacto knife with the sharp pointed blade, cut the offending material from the art board and pastethe new content into place. The rubber cement or wax made it easy to cuf the old material.
Thus, we were literally "cutting and pasting" content, the genesis of the words for the digital activity today.
A side note. A number of years ago, we printed some display boards (using computer graphics to create the artboard) for an event. Something changed at the last minute and the already printed boards needed to be altered. There was no time for reprints.
I was the only person on the communications team who knew how to literally cut the old copy and paste in the new copy so it didn't appear to be something pasted at the last minute. Some old skills never die.